TidBITS#455/16-Nov-98
=====================

  Videotaped testimony, executive accusations, and legal wrangling:
  more problems with the U.S. presidency? No, this time it's Bill
  Gates and Microsoft on trial in the courtroom and in the media. In
  this issue Matt Deatherage looks at the antitrust trial, and why
  Mac users need to pay attention. Also, we feature a look at the
  MP3 format for listening to CD-quality music from the Internet,
  and report on updates to Photoshop 5 and Font Reserve 2.

Topics:
    MailBITS/16-Nov-98
    Move Over MTV, Now There's MP3
    Who Do You Antitrust? Part 1

<http://www.tidbits.com/tb-issues/TidBITS-455.html>
<ftp://ftp.tidbits.com/pub/tidbits/issues/1998/TidBITS#455_16-Nov-98.etx>

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MailBITS/16-Nov-98
------------------

**Font Reserve 2.0 Matures Beautifully** -- DiamondSoft has
  greatly improved their already splendid utility for organizing,
  viewing, and activating your fonts. (See "The Final Font Frontier"
  in TidBITS-400_.) Font Reserve 2.0's font database structure is
  simplified: it's an ordinary folder, so you can back it up, copy
  it, and maintain more than one. Fonts can now be listed, and
  activated, by suitcase. For many applications, fonts required by a
  document can enable themselves automatically. Users can print
  customizable type-book samples and generate reports; sharing of
  settings is easier, and fonts can be added temporarily as aliases
  (good for one-time jobs with special associated fonts). Total
  AppleScript automation is possible, though I haven't figured it
  out yet. Support for GX fonts is added; cosmetic compatibility
  problems (with Mac OS 8.5 and Kaleidoscope) are gone. The new
  manual (in PDF) is excellent. Font Reserve 2.0 is $100; registered
  owners can download the 5.4 MB upgrade for free, and OEM users may
  contact DiamondSoft to upgrade for $70. [MAN]

<http://www.fontreserve.com/>
<http://db.tidbits.com/getbits.acgi?tbart=04180>


**Photoshop Update Tweaks Type, Color** -- Adobe recently released
  a Photoshop 5.0.2 update that improves the image-editing program's
  type handling and color management. The auto-kerning feature of
  the Type tool now uses correct kerning values, while a new anti-
  aliasing algorithm makes small text more readable. (For a
  discussion of type and anti-aliasing, see "Better Typography
  Coming to a Screen Near You" in TidBITS-403_.) Photoshop 5.0.2
  also includes a Color Management Wizard for configuring color
  management settings; those settings also now specify that untagged
  RGB files not be converted to the sRGB color space when opened.
  (Adobe offers a technical guide describing how Photoshop 5's new
  color engine works, which differs significantly from previous
  versions.) The free update is a 3.9 MB download. [JLC]

<http://www.adobe.com/prodindex/photoshop/updat502.html>
<http://db.tidbits.com/getbits.acgi?tbart=04228>
<http://www.adobe.com/supportservice/custsupport/TECHGUIDE/PSHOP/CMS1/
cms_ps5.html>


Move Over MTV, Now There's MP3
------------------------------
  by Kevin Savetz <savetz@northcoast.com>

  My foray into the world of MP3 music began not online, but while
  staring at the TV. A particular car commercial was airing for the
  hundredth time that night, featuring an infectious little song
  based on a tune called 88 Lines about 44 Women. I wanted to hear
  the song in its entirety and knew the Internet would be the key.

  My musical craving would also mean a chance to play with MP3, a
  high-quality audio format that has become quite popular in some
  Internet circles.

  A search of DejaNews revealed the tune I longed to hear was by a
  new wave band called The Nails. Finding that information was easy.
  Finding the song itself was another matter, involving a
  frustrating foray into the world of pirate Web sites that claim to
  offer free (although not legal) MP3 files. Ultimately I did find
  the song - legally - on the official Nails home page. My thirst
  for '80s new wave was quenched, but I learned volumes about MP3 in
  the process.

<http://www.dejanews.com/>
<http://ourworld.compuserve.com/homepages/dakaufman/nails.html>


**First Things First** -- MP3 stands for MPEG 1 layer 3: it's a
  file format for storing audio that can be replayed at near compact
  disc quality. The music sounds great. To my untrained ears,
  properly encoded MP3 files sound just as good as tunes from a CD.
  All it takes to play MP3 music is player software on your
  computer, which should be at least a PowerPC-based Mac (exact
  requirements vary by player). You also need something to listen
  to: MP3 files are available for download, or you can create them
  yourself from CDs you own.

  Besides raw computing power, MP3 files require bandwidth and
  storage space. MP3 files weigh in at about one megabyte per minute
  of audio: your average pop song takes 3 or 4 MB; Arlo Guthrie's
  verbose Alice's Restaurant would run around 20 MB. In fact, MP3
  files are amazingly small, taking up about 10 percent of the space
  of AIFF or other high-quality sound formats. (Like JPEG is to
  graphics, MPEG is a lossy compression format - some information is
  lost in encoding, but not enough that most people would notice.)
  If you're downloading MP3s, come armed with a fast connection or
  prepare for a long wait. Even if you're encoding the files
  yourself, make sure you have enough disk space.

  Detailed information about MP3 and related file formats is
  available at the MPEG Archive. The site includes a brutally
  technical FAQ, player downloads for many platforms, and other
  information.

<http://www.mpeg1.de/>


**Getting a Player** -- To hear your fabulous MP3 song files, you
  need an MP3 player.

  Windows users enjoy a veritable cornucopia of MP3 players, but Mac
  users have fewer choices, including the popular MacAmp and
  SoundApp. MacAmp's interface resembles the front panel of a
  compact disc player, complete with track timer and equalizer
  blinky lights. There's also a playlist: you can drag your MP3
  files onto the playlist and move them around to tweak the order in
  which they play.

  SoundApp offers a simpler interface. Although it can play sounds
  of many types other than MP3, SoundApp includes only a rudimentary
  playlist feature. A list of other players for the Macintosh can be
  found at MP3.com's archive of Mac software.

<http://www.macamp.com/>
<http://www-cs-students.stanford.edu/~franke/SoundApp/>
<http://www.mp3.com/software/mac/players.html>


**Downloading MP3s** -- There are two distinct types of MP3 files
  on the Internet - legal and illegal. Creators put legitimate MP3s
  online for you to enjoy: the people who own the copyright to the
  music have chosen to share. Legitimate MP3s songs are easy to find
  - and listening to them won't lead to an unsightly buildup of bad
  karma.

  MP3.com reports that users downloaded more than two million songs
  from that site in September. According to the International
  Federation of Phonographic Industries, about 90 million MP3 files
  are downloaded each month - this presumably counts only legitimate
  ones.

  The bad news? The mainstream recording industry hasn't embraced
  MP3, so legitimate recordings from well-known bands are rare. In
  fact, many people in the recording industry see MP3s as a major
  threat. Because it's so easy to create great-sounding MP3 files
  from a CD and share those files for free online, the recording
  industry stands to lose big bucks to do-it-yourself pirates who
  would rather trade songs than pay for a CD. So chances are your
  favorite Top 40 group isn't yet on the MP3 bandwagon.

  That said, a few well-known artists and labels are experimenting
  with MP3. Among them are the Beastie Boys, Dionne Warwick, and
  Taylor Dayne. Some make selected tracks available for free to spur
  sales of CDs, while others take the next step of selling MP3 tunes
  directly via the Internet.

  Most of the music on legitimate MP3 Web sites is from bands you've
  never heard, covering every genre from blues to techno. Just
  because you've never heard of these bands doesn't mean they're
  lousy - in fact, I've discovered some great music. Then again,
  there's a reason that others of these bands lurk in obscurity:
  they stink.

  Two sites with massive collections of free, legitimate MP3 music
  files are MP3.com and the Internet Underground Music Archive. Both
  let you search for music by genre, but your findings will almost
  always be a crap shoot if you don't recognize band names. If
  you're interested in hearing new music and indie bands, this is a
  great way to do so. You'll be pleasantly surprised when you find a
  great song - but brace yourself for the truly bad ones.

<http://www.mp3.com/>
<http://www.iuma.com/>

  Illegal MP3s - music files shared without the permission of the
  copyright holders - also abound. If your favorite bands don't
  release MP3 music, folks on the Internet will do it for them. I
  could get on my soapbox and yammer about why piracy is wrong, but
  I won't. I'll just say this: trying to get music from pirate MP3
  sites is a pain in the Hootie.

  The sites are easy to find in search engines, but then you'll run
  into dead links galore, since ISPs quickly shut down such pirate
  sites. Sites that do exist may only offer a handful of songs for
  download (but claim to have an archive of thousands). Other sites
  require you to upload a song for each one that you download. I'm
  no expert in the pirate MP3 scene, and maybe I don't know where to
  look, but two hours of searching the online backwaters yielded few
  MP3 files, none of which I even cared to hear.

  An MP3 guru tells me Usenet is the tool of choice for receiving
  pirate MP3s, feeding two to three gigabytes of MP3 files daily,
  and accounting for more than 10 percent of all Usenet bandwidth.


**Roll Your Own** -- Sharing copyrighted music is illegal, but it
  is legal to create MP3 files for your own use from CDs you own.
  Encoding a single song or an entire CD is simple if you're armed
  with a CD-ROM drive and encoding software. Creating an MP3 file
  from a CD track is a two-step process: first, you convert the CD
  audio to a file format native to the computer such as AIFF - this
  process is called ripping. Next, you convert that file to an MP3
  file in a process called encoding. Depending on the software you
  use, ripping and encoding can be a one-step or two-step process.

  You could rip your favorite tracks from otherwise forgettable CDs
  to create a "best of" MP3 mix folder. If you have removable
  storage like a Zip or Jaz drive, you could put those MP3 files
  onto a removable cartridge and enjoy your tunes whenever you're in
  the mood. (Giving copies of those files to anyone or uploading
  them to the Internet is copyright infringement.)

  The only one-step Mac ripper/encoder I've found on the Internet is
  MPEG Audio Creator, which is easy to use. However, it can create
  only MPEG 1 layer 2 files (dubbed MP2), an older version and
  slightly larger version of the file format.

<http://www3.pair.com/odreer/mpeg.html>

  Until someone writes a Mac MP3 ripping/encoding tool, creating
  true MP3 files requires two programs. You first use CDtoAIFF to
  create an AIFF file from a CD track. Then Mpecker Encoder turns
  that AIFF into an MP3 file.

<http://www.musicglobalnetwork.com/Mac.html>
<http://www.anime.net/~go/mpeckers.html>

  Encoding an MP3 file is an intensive process, so be prepared to
  see a lot of the busy cursor.

  There you have it: the story of how an incessant car commercial
  got me hooked on a forgotten '80s band, led me to learn more than
  I thought I wanted to know about MP3, and caused me to use every
  last bit of hard drive space to store countless music files. I
  gotta stop watching so much TV.

  [Kevin Savetz writes about Macs and the Internet for Computer
  Shopper and other magazines. An avid collector of vintage
  computers, Kevin is as likely to be playing with an Atari 800 or
  Timex-Sinclair as with his Mac.]


Who Do You Antitrust? Part 1
----------------------------
  by Matt Deatherage

  As trial continues on the U.S. Department of Justice's antitrust
  case against Microsoft, the public remains divided about whether
  or not Microsoft has tried to interfere with competition, and if
  so, if it matters. If you think this isn't an Apple problem, think
  again, because this issue has repercussions throughout the
  computing industry. Apple could benefit or lose no matter which
  way the issue is resolved, but after staking out the available
  paths, I think you'll discover a preferable one.


**What Exactly Is Wrong?** The problem presented by Microsoft's
  domination of the computer industry is complex and will likely
  have a complex solution, something you've probably guessed because
  no proposal has yet made sense to everyone. The issue defies
  attempts to encapsulate it in sound bites, so please indulge a
  more thorough discussion.

  U.S. laws from the early 20th century classify businesses that
  hold a nearly exclusive position in a given market as
  "monopolies." That era saw several such businesses achieve virtual
  strangleholds on the markets they allegedly served. When
  competition arose, the monopoly firms would use their powerful
  positions either to squash it or to assimilate it in moves that
  predated the Borg by 500 years. Standard Oil, for example, owned
  railroads, insuring that Standard-brand oil was transported less
  expensively than any other oil. That gave Standard Oil lower costs
  and an unbeatable price advantage.

  Standard Oil theoretically consisted of several companies, but
  they acted in collusion as a giant entity to fix prices and
  eliminate competition. Such a collaboration is called a "trust,"
  defined by the American Heritage Dictionary as "a combination of
  firms or corporations for the purpose of reducing competition and
  controlling prices throughout a business or an industry." That's
  why the pro-competition laws in the U.S. are called "antitrust"
  laws, even though they're often applied to a single corporation,
  such as AT&T or Microsoft.

  The laws themselves are often debated. Some quote economist Adam
  Smith, who theorized than an "Invisible Hand" works to guide free
  markets to optimal positions. If one company becomes too powerful,
  the Invisible Hand points to opportunities for smaller companies
  to come in and pick off sales, restoring competition. If no
  company succeeds in a market, the Invisible Hand is signing that
  no such market exists. The theory has withstood a few centuries of
  interpretation and practice, and remains the chief explanation of
  why a mostly unregulated economy manages to stay afloat so well.
  Regulations on U.S. businesses are typically social; few firms are
  told what products they can and cannot sell, and prohibited items
  are usually banned for social reasons like toxicity or "national
  security." Since the Invisible Hand usually keeps the economy
  flourishing, people are reluctant to see a bureaucracy like the
  U.S. government start regulating commerce.

  Proponents of regulation and antitrust laws say this is a
  simplistic notion. Adam Smith, living hundreds of years ago,
  couldn't have imagined modern business. Corporations today are
  commonplace - it takes only a form and a small payment to start
  one. But they were extremely rare in Smith's day and for a long
  time thereafter - when Texas became a state, chartering a
  corporation took a two-thirds majority of both houses of the
  legislature. Corporations divorce personal responsibility from
  economic action, and it can be argued this has greatly changed how
  our economy works. Today, corporations are seen as responsible
  only to their shareholders. As little as 20 years ago, such
  businesses were widely - and without much question - seen as also
  having duties to their employees, the communities in which they
  reside, and their customers. Today there is little controversy,
  though much grumbling, if a corporation decides to lay off a few
  thousand people in the name of higher profits.

<http://db.tidbits.com/getbits.acgi?tlkthrd=387>

  Abandoning older customers in favor of newer ones may not be the
  best business move, but many companies do just that if the new
  path leads to higher profitability - how many profitable Macintosh
  software companies have decided to become more profitable Windows
  companies? The news is full of lawsuits, boycotts, and other
  actions against companies that have allegedly sold products they
  knew were harmful, or engaged in practices which they knew could
  damage the environment or employee health, simply for higher
  profits. Exploitation of workers was a staple of Adam Smith's era
  also, but in Smith's economy, such business owners could be held
  personally responsible for their actions. Today that
  responsibility lies with the corporations themselves, and
  corporations can be punished only economically unless specific
  charges can be proven against specific people. The buck stops
  nowhere, and lack of responsibility leads to a lack of social
  conscience.

  That said, there are two key questions in the Microsoft matter:

  1. Did Microsoft break the letter or spirit of the U.S. antitrust
  laws?

  2. If they did, should Microsoft be punished, or should the laws
  be changed?


**Is Microsoft Guilty?** Judge Thomas Penfield Jackson is
  currently presiding over a trial to decide that question, but even
  "guilty" is a loaded word. Microsoft is charged with civil, not
  criminal, violations of the antitrust laws.

  In June, when we first considered this issue in MWJ, we concluded
  that Microsoft was probably in violation of these laws based on
  evidence available at the time. The revelations at trial have been
  interesting, but haven't done much to damage the basic case
  against the company.

  Under U.S. law, a company that holds a monopoly position cannot
  use that advantage to achieve dominance in another market. A
  monopoly position by itself is tolerable; public utilities are
  often said to constitute "natural monopolies" because the
  infrastructure of power lines and phone cables is impractical, if
  not impossible, to duplicate. Those utilities can often stay
  intact at the price of regulation, but sometimes even that isn't
  enough for regulators, as the 1984 breakup of AT&T demonstrated.
  It's easy to forget that in 1984, AT&T was pressing to require
  that all modems be used on business-rate phone lines. Today's
  competitive market would laugh at such a notion.

  Conservative estimates give Microsoft 80 percent of computer
  operating systems sold today, a monopoly by most standards. For
  better or worse, companies in monopoly positions are held to
  stricter standards. If Microsoft tries to use its position as the
  dominant OS vendor to become a dominant force in another market,
  the company has broken the rules. It's pretty clear this is what
  happened with Internet Explorer.

  The U.S. Justice Department alleges that Microsoft entered the Web
  browser market in 1995 because Netscape was talking about Netscape
  Navigator replacing the operating system. Windows (or Mac OS)
  would host Navigator, but Navigator would be your gateway to
  Internet capabilities, from the Web to file transfer to
  videoconferencing. Historically, Microsoft has made its Big Money
  on applications like Office and Encarta, with help from server
  software like BackOffice and Windows NT Server Edition (the one
  bundled with lots of Microsoft's servers). Windows is now posting
  lots of revenue for Microsoft, but it's unclear how the company
  accounts for the servers that are technically applications but
  sold with Windows NT Server Edition as "platforms." Microsoft
  software often does well because it takes full advantage of the
  latest advances in Microsoft operating systems. Microsoft Office
  95 was available when Windows 95 was released, providing benefits
  like long file names to frustrated Office users. If Microsoft
  became "just another developer" writing Internet software to
  specifications set by Netscape, they'd lose a major competitive
  advantage, and that was not acceptable to super-competitive
  Microsoft.

  So they created an Internet strategy that involved not only moving
  applications towards Internet standards and providing servers for
  those standards (a smart move few people would question), but also
  creating a Microsoft Internet browser to provide Microsoft's own
  layer of "middleware." If the Internet did become the next
  operating system, Microsoft wanted it to be _their_ Internet. They
  wanted the standards for multimedia to be Microsoft standards, not
  QuickTime. They wanted people to write ActiveX controls to add on
  to a browser's functionality - not Netscape plug-ins or OpenDoc
  parts or Java applets. They wanted standards invented in Redmond
  and incorporated in Microsoft applications, not some third-party
  technology that another company knew better.

  This is all healthy competition, an area the government normally
  wouldn't touch - but it didn't stop there. Microsoft also
  allegedly decided to use its position as the supplier of Windows
  to force its Internet software into customer hands. The Department
  of Justice (DOJ) claims that Microsoft required Windows licensees
  like Compaq and Dell to include the Internet Explorer icon on all
  systems or risk losing the right to distribute Windows. The DOJ
  further alleges that Microsoft initially refused to allow PC
  makers the right to include Netscape Navigator or any other Web
  browser with PCs equipped with Windows 95, and that Microsoft
  coerced Internet service providers into preferring Microsoft
  Internet software by providing priceless marketing exposure within
  Windows for those who cooperated and denying it to those who stuck
  with Netscape.

  Early evidence released in the trial supports some of these
  claims. David Colburn, AOL's senior vice-president of business
  affairs, has testified that Microsoft approached the company to
  make Internet Explorer the browser of the AOL software -
  specifically asking "How much do we need to pay you to screw
  Netscape?" Microsoft points to other documents in the AOL
  negotiations emphasizing the technical merits of Microsoft's
  software - how it competes with Netscape. But the government's
  claim is not that Microsoft's browser works poorly, it's that they
  tried to use a monopoly position with Windows to dominate the
  Internet software market. In that sense, the AOL testimony was
  particularly damaging, because Colburn was not swayed from his
  claim that AOL chose Microsoft's technology because it was the
  only way to have AOL's client software included on the desktop of
  _every_ copy of Windows 95.

<http://www.usdoj.gov/atr/cases/f2000/2045.pdf>
<http://www.mercurycenter.com/business/microsoft/trial/breaking/docs/
colbur102798.htm>

  Other allegations say Microsoft used similar tactics with ISPs -
  unless they agreed to promote Internet Explorer, restrict
  distribution of Netscape Navigator, and try to convert users to
  Microsoft software, they wouldn't be included in Windows 95's
  built-in software for signing up new Internet accounts. In each
  case, Microsoft is accused of using the power of owning Windows to
  push Microsoft Internet software into the hands of people who may
  or may not have wanted it. Few people will purchase a program when
  a free version does almost everything they need. If you doubt
  this, think of how many email users you know who have never
  purchased a commercial client like Claris Emailer, Eudora Pro, or
  Bare Bones Mailsmith. Microsoft counts on this strategy to
  increase market share; recent figures show Microsoft Internet
  Explorer now has anywhere from 40 percent to 55 percent of the
  browser market, up from nothing in 1995.


**The Joy of Bundling** -- Microsoft, in part, defends against
  these allegations by saying Internet Explorer is part of the
  operating system. The Justice Department says Internet Explorer is
  an application, just like Microsoft Word or Netscape Communicator
  or Riven. As such, Microsoft's inclusion of the browser in Windows
  98 is bundling, and anything that's bundled can be unbundled.
  Microsoft rebuts by saying Internet Explorer functionality is
  built into Windows 98 and used by many parts of the operating
  system; the Internet Explorer "application" is just a shell that
  puts an application wrapper around core Windows 98 capabilities.
  Trying to rip out those capabilities would be as disastrous as
  trying to remove the Apple Event Manager from the Mac OS.

  The Internet Explorer functionality is increasingly contained in
  what Mac OS users know as shared libraries (called dynamically
  linked libraries, or DLLs, to Windows folk). The Windows version
  of Internet Explorer calls those libraries to do the majority of
  its work. Other parts of Windows 98 use those libraries as well,
  as do a growing number of applications (for example, Eudora Pro
  4.0 for Windows can use those libraries to render HTML-formatted
  email), so unbundling them is not an option for Microsoft. That's
  why the company maintains that the government's demand to remove
  the "shell" application is misguided, since the bulk of the
  Internet Explorer functionality must remain in Windows 98 for it
  and other applications to work properly.

  So is it bundled? Not in a traditional sense. Microsoft is to be
  commended for adding more Internet functionality to the OS, since
  the media continues to emphasize how the Internet is increasingly
  important to Every Single Person in the World. Removing the
  Internet Explorer shell doesn't solve the problem, and neither
  would the government's belated request that Microsoft should
  bundle Netscape Communicator with Windows 98. Communicator is now
  free in response to Microsoft's free browser, so Microsoft would
  incur no cost for the bundling, but the company's resistance to
  the suggestion shows how deeply Microsoft is out to control the
  middleware layer Netscape threatened to dominate just two years
  ago.

  Before we surrender Microsoft to the DOJ's legal wolves, however,
  it's important to realize that this isn't a simple case of one
  company bullying others. The outcome of Microsoft's antitrust
  trial promises to impact the rest of the industry as well, and
  we'll look at that in part two of this article.

  [Matt Deatherage is the publisher of MWJ, an acclaimed
  subscription-only newsletter for serious Macintosh users. Those
  who sign up this week for a free three-issue trial subscription
  can still receive MWJ's Mac OS 8.5 special edition, the most
  comprehensive coverage of Mac OS 8.5 available anywhere.]

<http://www.gcsf.com/>



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