TidBITS#680/12-May-03
=====================

  Looking for fast, mobile Internet access without the bulk of a
  laptop? Geoff Bronner reviews Palm's new Wi-Fi-enabled Tungsten C
  handheld. Also, if you've spent the past two weeks browsing the
  iTunes Music Store, Adam offers some tips on making the experience
  smoother. This week also brings news of new eMac models, a Mac OS
  X 10.2.6 update that fixes crashing problems with some USB hubs,
  and our stand on challenge-response anti-spam systems.

Topics:
    MailBITS/12-May-03
    TidBITS Policy on Challenge-Response
    iTunes Music Store Tips
    Tungsten C: A Real Wireless Palm
    Hot Topics in TidBITS Talk/12-May-03

<http://www.tidbits.com/tb-issues/TidBITS-680.html>
<ftp://ftp.tidbits.com/issues/2003/TidBITS#680_12-May-03.etx>

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MailBITS/12-May-03
------------------

**Mac OS X 10.2.6 Fixes USB-related Kernel Panics** -- As has been
  discussed in TidBITS Talk, Mac OS X 10.2.5 has some troubles with
  certain USB hubs, with kernel panics becoming increasingly common.
  Last week, Apple offered some relief from those crashes for
  many by releasing Mac OS X 10.2.6. Foremost among the changes
  is a fix for the USB bug; other changes include better printing
  compatibility for PostScript OpenType fonts, fixes for certain
  Maya features, better compatibility with MacSoft Unreal Tournament
  2003, a fix for Asian language scripts not appearing when English
  is the default language, and support for the Sony Ericsson T610
  phone in Address Book. It's a 6.1 MB download via Software Update;
  standalone installers for updating from Mac OS 10.2.5 (6 MB) and
  from any previous version of Mac OS X 10.2 (86 MB) are also
  available. [ACE]

<http://db.tidbits.com/getbits.acgi?tlkthrd=1909>
<http://docs.info.apple.com/article.html?artnum=25448>
<http://docs.info.apple.com/article.html?artnum=70173>
<http://docs.info.apple.com/article.html?artnum=70174>


**Apple Updates eMac Line** -- Apple Computer last week announced
  the availability of new all-in-one eMac computers. Like their
  predecessors, the new eMacs sport a 17-inch CRT display (rather
  than the LCD flat panel displays used in other Macs) supporting
  resolutions up to 1280 by 960 pixels, but the eMacs now offer
  800 MHz and 1 GHz G4 processors, the ATI Radeon 7500 graphics
  processor, support for AirPort Extreme, and optional SuperDrives.
  The $800 base model eMac features an 800 MHz G4 processor, a
  CD-ROM drive, a 40 GB hard drive, and 128 MB of RAM. The $1,000
  version of the eMac offers a 1 GHz G4 processor, a 32x DVD-ROM/
  CD-RW Combo drive, and a 60 GB hard drive, while the high-end
  $1,300 eMac sports a 1 GHz G4 processor, a 4x SuperDrive, 256 MB
  of RAM, and an 80 GB hard drive. All models have two FireWire
  ports, 5 USB ports (three on the computer, two on the keyboard),
  an audio line-in port for microphones or other audio equipment,
  10/100Base-T Ethernet and a V.92 56 Kbps modem. The CD-ROM and
  Combo drive eMacs still support booting in Mac OS 9, though
  the SuperDrive-equipped eMac boots only into Mac OS X. The new
  systems ship with Mac OS X 10.2 Jaguar, and they are available
  both through normal consumer channels and to education customers
  in the U.S. and Canada. [GD]

<http://www.apple.com/emac/>
<http://www.apple.com/education/store/>


TidBITS Policy on Challenge-Response
------------------------------------
  by Adam C. Engst <ace@tidbits.com>

  An anti-spam technique called challenge-response is becoming
  increasingly popular these days. Simply described, challenge-
  response compares the sender of each incoming message against the
  contents of your email address book (or a similar list generated
  in another way, such as by extracting the senders of every piece
  of your stored mail). If the sender of the incoming message
  appears in your address book, the message comes through as
  you'd expect. However, if that incoming message is from an unknown
  address - either someone from whom you've never received email
  or an acquaintance using a new address - the challenge-response
  system sends an email reply to the sender, asking her to click
  a link, reply to the message, or in some way indicate that her
  original message came from a real person. Once verification has
  happened, the message is delivered appropriately, as are all
  subsequent messages from that sender.


**Challenges to Challenge-Response** -- Challenge-response systems
  are fairly effective, since most people receive mail from roughly
  the same subset of senders, and the effort to any individual
  sender is relatively low. These systems suffer from a number
  of important problems, though.

* Spammers often forge headers so the spam you receive appears to
  come from other email addresses at the same domain, or even from
  your own email address. It's not uncommon for me to receive spam
  "from" myself, or "from" another member of the TidBITS staff. In
  smaller organizations, it's likely that most people with email
  addresses at that domain would be in each other's address books,
  so spam "from" those addresses would bypass a challenge-response
  system.

* Challenge-response puts an additional burden on senders, which
  is why it's effective against spam. However, it also tends to
  engender ill will among normal people who feel as though you're
  asking them to jump through hoops (which you are). It's in your
  interest to make the process as easy as possible for legitimate
  senders.

* There are many legitimate reasons why you might receive email
  that's sent automatically, such as an order receipt from an online
  vendor or a mailing list subscription confirmation request. You're
  unlikely to have such email addresses in your address book, so
  those sorts of messages can be stopped erroneously. Most of the
  time, no person would even see the challenge since those systems
  run on auto-pilot. Ironically, this could even create mail loops
  between systems as your challenge is answered not with a response,
  but with a competing challenge.

* As a special case to the above, consider mailing lists to which
  you subscribe. Depending on how the challenge-response system is
  set up, you could end up sending challenges to everyone who posts
  a note to a discussion list (this happened on TidBITS Talk
  recently, annoying a number of people). Or, in the more generic
  case of TidBITS, we could end up receiving hundreds or even
  thousands of challenges from subscribers who turned on a
  challenge-response system but didn't have <editors@tidbits.com>
  in their address books.


**Ever More Challenges** -- There are certainly technical
  solutions that could ameliorate each of these problems (such as
  a quarantine area that users can check for legitimate mail that's
  been held but hasn't been verified by the sender, and special
  cases for mail from lists), but with different systems appearing
  from a variety of companies, such as SpamArrest and Mailblocks,
  there's no telling which features will be commonly available,
  or how they will require senders to respond.

<http://www.spamarrest.com/>
<http://www.mailblocks.com/>

  Challenge-response technology is about to become significantly
  more widespread, though, with EarthLink about to test such a
  system for its 5 million customers. EarthLink is currently the
  third-largest ISP in the United States, and it serves over 2,000
  TidBITS subscribers (second only to AOL, and well ahead of
  Mac.com).

<http://www.washingtonpost.com/wp-dyn/articles/A22390-2003May6.html>
<http://www.earthlink.net/spamblocker/>


**Our Challenge** -- Although we're always in favor of individuals
  and ISPs working to control the pestilence that is spam (by the
  time you read this, I'll have received more than 21,000 spam
  messages so far in 2003), we've also spoken out in the past
  against approaches like arbitrary content filtering that actually
  increase the damage spam causes to the global email system.

<http://db.tidbits.com/getbits.acgi?tbser=1221>

  We don't view challenge-response as being nearly as concerning as
  arbitrary content filters, but it does raise problems for us. We
  send email to nearly 50,000 people each week by the time you take
  all of our versions and translations into account, and dealing
  with hundreds of individual challenges each week would utterly
  overwhelm us. We don't have the staff resources to do that and
  keep everything else running. We're not unusual in this regard;
  most mailing lists on the Internet will run into similar problems.

  So consider this article a heads-up to anyone who is thinking
  about using a challenge-response system. Please be a good Internet
  citizen and make sure you add mailing list distribution addresses
  to your address book and work to avoid situations that will cause
  irritation for others in your particular parts of the Internet.

  Closer to home, be warned that we will not answer any challenges
  generated in response to our mailing list postings. Thus, if
  you're using a challenge-response system and not receiving
  TidBITS, you'll need to figure that out on your own. Also, if
  you send us a personal note and we receive a challenge to our
  reply, we may or may not respond to it, depending on our workload
  at the time.

  In short, do what you feel is necessary to control your spam
  problem, but remember that it's your responsibility to make it
  possible for people to send you email that you request.


iTunes Music Store Tips
-----------------------
  by Adam C. Engst <ace@tidbits.com>

  The iTunes Music Store has already caused me to buy more music,
  and spending all the extra time in iTunes has helped me develop
  a number of tips for improving the listening and purchasing
  experience. For more information on the iTunes Music Store, see
  "iTunes Music Store Takes the Stage" and "Apple Changes the Face
  of Digital Music" in the last two issues of TidBITS.

<http://db.tidbits.com/getbits.acgi?tbart=07163>
<http://db.tidbits.com/getbits.acgi?tbart=07175>


**Not So Obvious Navigation** -- Although iTunes doesn't hide its
  navigation shortcuts while you're in the Music Store, you may
  not have noticed them. Next to each artist name and album name
  in the search results is an arrow in a circle; click it to see
  all albums by that artist or on that album. Plus, many of the
  pieces of text - album, song, and artist names - throughout the
  iTunes Music Store are actually links, as in a Web browser, though
  they're underlined only when you move your mouse cursor over them.
  And of course, just like in a Web browser, you can navigate using
  the back and forward arrows, with the home button, and by clicking
  the intermediate steps in the "breadcrumb" trail made for genre,
  artist, and album.


**Avoid Duplicate Purchases** -- If you're like me, you might not
  remember every song you already own while searching the iTunes
  Music Store. You can't open either the Music Store playlist or
  your main Library playlist in a separate window to compare the
  two, but there's a workaround thanks to iTunes's Smart Playlists.
  Choose New Smart Playlist from the File menu, choose Time from
  the first pop-up menu, choose "is greater than" from the second
  pop-up menu, leave "0:00" in the text field, and make sure "Live
  updating" is checked. That tells iTunes to add every song whose
  time is longer than zero seconds to the playlist and to keep it
  up to date with new music that's added. Then, when you want to
  compare what you already own against a search in the iTunes Music
  Store, double-click your new Smart Playlist to open it in a
  separate window and move it so you can switch back and forth
  between it and the iTunes Music Store in the main iTunes window
  easily. One final hint: If you name your "All Music" playlist
  with an Option-Space character at the start, it sorts above all
  other Smart Playlists.


**Playing Multiple Previews** -- The 30-second preview clips that
  you can play in the iTunes Music Store are essential for verifying
  that you do indeed remember the song's title properly, but they
  aren't great for deciding whether or not you like a song that you
  haven't heard before. In part, this is because they're so annoying
  to play - you must double-click each one (or click once and press
  the spacebar), and iTunes won't let you turn on Repeat All while
  in the Music Store. Luckily, iTunes's shortcuts for navigating
  among songs work while the song is playing, so just press the
  right arrow key to play the next preview or the left arrow to
  play the previous song.

  Alternatively, try this sample AppleScript script from Sal
  Soghoian, which plays all the clips showing in order.
  Unfortunately, the script has to use Apple's GUI Scripting
  software because the iTunes Music Store apparently can't be
  scripted in iTunes, and even then it's clumsy. You must run
  the script manually, stopping in the middle of playing requires
  cancelling the script manually, and it won't work properly when
  placed in the ~/Library/iTunes/Scripts folder and chosen from
  the scripts menu on iTunes's menu bar. Feel free to improve it.

<http://www.tidbits.com/resources/680/iTMS-Clip-Player.sit>
<http://www.apple.com/applescript/GUI/>


**Use the Cart** -- As much as I like the ease of Apple's 1-Click
  shopping, it makes me a little nervous, since many artists have
  multiple versions of the same song, and I want to make sure I'm
  getting the right one before I buy. Plus, I like being able to
  mark a bunch of songs that I might want to buy and then purchase
  them all at once. In the Store tab of the iTunes Preferences
  dialog, you can switch from buying via 1-Click to buying via a
  shopping cart, which gives you time to reflect before buying. All
  the Buy Now buttons then change to Add Now, and clicking one adds
  its associated item to your shopping cart, which you can view by
  clicking the Shopping Cart playlist. When you're ready to buy,
  click the Buy Now button for the entire shopping cart in the
  lower right corner of the iTunes window.


**Dealing with a Modem** -- What if you have only a slow modem
  connection to the Internet? The iTunes Music Store will work for
  you, albeit slowly, since each song you buy will be approximately
  3 MB to 5 MB, and that amount of data can take a long time to
  download. Even the 30 second previews are slow, though you can
  make listening to them easier by checking "Load complete preview
  before playing" in the Store tab of the iTunes Preferences dialog.
  Using the shopping cart approach to buying will also help, since
  you can queue up a number of songs to download before you go to
  bed. If you have a laptop with an AirPort card in it, though, the
  best approach may be to add songs to your shopping cart and then,
  when you're in a location with a wireless network and a fast
  Internet connection (an Apple Store, for instance), switch to the
  Shopping Cart playlist and click Buy Now to download everything
  you have ready. If you aren't a laptop user, but you can use a Mac
  with a fast Internet connection somewhere else, remember that you
  can always click the Account button in the upper right of the
  iTunes window and sign in with your Apple ID, purchase music,
  copy the files to a CD or DVD, and then load them into your Mac
  at home.


**Or Don't Use the Cart** -- As much as I find the shopping cart
  a welcome option, it hasn't worked for me. Others have also
  had trouble with it complaining about incomplete or incorrect
  billing information, even when there's obviously nothing wrong.
  The workaround is to switch back to 1-Click purchasing, which
  doesn't seem to share the same problems.


**Can't Download Music** -- If you've tried to purchase and
  download music unsuccessfully, it's worth running Repair
  Permissions in the First Aid tab of Disk Utility. After that,
  make sure that the user you're logged in as has write permissions
  on the Music folder, or, more specifically, the Music Folder that
  iTunes uses to store new music (check the Advanced tab in the
  iTunes Preferences dialog). You might even try changing that Music
  Folder to another folder into which you're sure you can add files.
  If that doesn't work, remember that you can contact iTunes Music
  Store Customer Service by choosing Music Store Customer Service
  from iTunes's Help menu and following the appropriate link.


**Quick Pause/Play** -- For me, one of the main problems with
  listening to music - either from the iTunes Music Store or my
  collection - while I'm working is scrambling to shut it off when
  the phone rings or I need quiet for some other reason. I've used
  a variety of techniques over the years, including Griffin's
  PowerMate and a simple AppleScript script via QuicKeys, but the
  best approach may be Michael Kamprath's Keyboard Maestro macro
  utility, which includes a special iTunes Control action that lets
  you control iTunes in a variety of ways from the keyboard even
  when iTunes isn't the frontmost application. I simply assign
  Control-Escape to the Toggle Play/Pause action, and from then
  on it's a quick slap with my left hand on those two keys to
  start or stop the music. Anyone can use this in Mac OS X, since
  the free Keyboard Maestro Lite, though limited, is more than
  sufficient for this task.

<http://www.keyboardmaestro.com/>

  For those who want to try the AppleScript approach and access
  the script via another utility, the script is extremely simple.

 tell application "iTunes"
    if player state is not playing then
       play
    else
       pause
    end if
 end tell


**Make Backups** -- As I noted in last week's article, most of
  Apple's digital rights management obstacles are essentially speed
  bumps - they don't stop you from doing anything you want, but they
  will slow you down. The one time you could run into trouble is if
  you were to lose any of the three Macs you had authorized to play
  your purchased music; even if you had offsite backups of the
  original AAC files. The solution is either to restrict your
  number of authorized computers to two at most, so you can always
  reauthorize another one, or to convert your purchased music either
  to MP3 or to unprotected AAC so you can play them on any computer
  or appropriate audio device. To do this, just burn an audio CD
  (giving you a physical backup as well) and import the contents
  of that CD into iTunes again, or use one of the tools like Audio
  Hijack that can grab the digital sound stream before it's
  converted to analog and sent out to the speakers. I wouldn't
  be surprised to see a tool appear that would batch convert these
  songs for backup purposes - it could probably even be done with
  an AppleScript script.


**More Tips?** I'm sure there are additional tips for the best
  ways of working with the iTunes Music Store. If you run across
  any, send them along to TidBITS Talk at <tidbits-
  talk@tidbits.com>.


   PayBITS: Did you find Adams iTunes Music Store tips useful?
   Toss him a few bucks so he can add to his music collection!
   <http://www.amazon.com/paypage/P3Q82CWSVC7E0T>
   <https://www.paypal.com/xclick/business=ace%40tidbits.com>
   Read more about PayBITS: <http://www.tidbits.com/paybits/>


Tungsten C: A Real Wireless Palm
--------------------------------
  by Geoffrey V. Bronner <geoffrey.bronner@dartmouth.edu>

  In TidBITS-597_ I wrote about using Xircom's Palm Wireless
  Ethernet Module (since Intel purchased Xircom, it's now called
  the Xircom Wireless LAN Module for Palm Handhelds), a Wi-Fi add-on
  for some Palm models. I still use the module with a Palm m515, but
  only in certain situations and not in daily use.

<http://db.tidbits.com/getbits.acgi?tbart=06563>
<http://www.intel.com/network/connectivity/products/xirpwe1130.htm>

  My use dropped off for three reasons. First, the DHCP client on
  the Xircom module is buggy, and over the course of a year and a
  half these issues have not been resolved. Second, since the m515
  uses the module as if it were a modem, the speed is mediocre and
  time-outs are common, even when using a fast 802.11b wireless
  network. Third, I prefer to carry the m515 in a Palm hard case
  and I have to remove the case to attach the module.

  So, while the Xircom solution is functional, I have to admit
  that it proved to be a high maintenance gadget that took a lot
  of effort to operate after the novelty wore off. However, things
  are looking up. Two weeks ago I was asked to test and demonstrate
  Palm's new Tungsten C, which builds in 802.11b networking.

<http://www.palm.com/products/handhelds/tungsten-c/>
<http://db.tidbits.com/getbits.acgi?tbart=07166>

  Before I examine its wireless networking capabilities, here are
  a few other facts about the Tungsten C that are worth noting
  briefly.

* It lacks built-in Bluetooth, as does the Tungsten T, and Palm
  says their Bluetooth SDIO card does not work in it.

* It runs Palm OS 5, a significant rewrite of the Palm operating
  system, which means that a number of older programs (including
  some Palm Query Applications for accessing online content) I
  tried would not run on it.

* The separate Graffiti writing area is gone (you can write
  anywhere on the screen) and has been replaced by a BlackBerry-
  style miniature keyboard.

* It uses Graffiti 2, which is different enough to require some
  adjustment by experienced Palm users.

* The To Do and Memo Pad buttons have been replaced with Email
  and Web buttons.

* The processor is the new 400 MHz Intel ARM, which means it's
  noticeably speedier than earlier generations of Palm handhelds.

* It includes 64 MB of built-in memory, a significant boost from
  earlier models that tapped out at 16 MB.

* The 16-bit, 320 x 320 transflective TFT screen is really
  impressive.

* Its list price is $500 (buying a Palm m515 and a Xircom module
  would still cost more).

  The demo unit arrived the day Palm announced it and I had only
  a few hours to experiment before demonstrating it at a technology
  showcase the next day. One thing was clear after only a few
  minutes: the Tungsten C is everything I had wanted the combination
  of the m515 and Xircom module to be. It just works.

  The Tungsten C I tested was a pre-release unit with no
  documentation, but I didn't need any. Running the Wi-Fi Setup
  application on the Tungsten C started it searching for a
  wireless network, and when it could not find our campus network
  at Dartmouth College, where the SSID is hidden, it walked me
  through setting up the connection manually in a few easy steps.
  I found the setup process much easier than using the XircomPWE
  setup program.


**Field Test** -- Once you enter your wireless network settings
  you can check the status of the connection with the Palm Prefs
  application or the Graffiti Command stroke. Reception is better
  than the Xircom module but still not as strong as a full size
  notebook computer. The Tungsten C selects the nearest access point
  reliably, and active roaming between access points worked well
  as long as I stayed in the same network subnet. Moving around too
  quickly caused the connection to drop during long downloads, but
  that happens with my laptop as well. Compared to the older Xircom
  adapter, connecting to the network is quick and is no longer
  burdened by the overhead of the simulated modem negotiation.
  Any problems with a connection are fixed in two to three seconds
  by powering the Tungsten C off and on again.

  In my testing, the life of the Tungsten C's 1500 mAh Li-Ion
  battery was very good. I demonstrated the unit almost continuously
  for two and a half hours and used less than a third of the battery
  charge. Using it on and off during a weekend on my home network
  was also no problem. Using a wireless connection does drain the
  battery faster, as one would expect, but not at an alarming rate.


**Putting It to Work** -- The Tungsten C includes a good set of
  basic applications in its read-only memory (meaning they're still
  available even if you reset the Palm to its default state):
  VersaMail 2.5, PalmSource Web Browser 2.0, DataViz Documents To Go
  Professional 5.1, and a PPTP (Point to Point Tunneling Protocol)
  VPN client. Products like Adobe Acrobat Reader, AvantGo, AOL for
  Palm, and Printboy are on the installation CD or available for
  download (an IPSec VPN client is in beta).

  I use a Power Mac G4 (QuickSilver) as my primary workstation,
  but I set up the Tungsten C with an IBM ThinkPad T23 running
  Windows XP and Outlook 2002 so I could test features like Network
  HotSync that aren't available for Macintosh. Network HotSync is
  particularly impressive on the Tungsten C when the host computer
  and the Palm are on the same LAN. The speed is comparable to a
  serial cradle and not much slower than an USB cradle. It wasn't
  100 percent reliable as I moved around the campus network, but
  I didn't have adequate time to look for a cause.

  However, Mac users will also find things to be happy about. For
  example, if you install the beta version of AvantGo, which
  currently has no Mac conduit, you can then use the wireless sync
  feature to keep it updated. I also used this method to update
  Vindigo 2.0 (which does have Mac support) because using wireless
  sync to update it directly is more convenient and surprisingly
  fast - I was able to update three cities in less than a minute
  over a home DSL connection. I did use the Tungsten C briefly with
  a PowerBook G4 running Mac OS X 10.2.5 and had no problems with
  the basic Palm Desktop 4 software and the USB HotSync.

  PalmSource Web Browser 2.0 is well implemented. Images are
  amazingly crisp on the new display, and the software does an
  admirable job converting Web sites to the small screen. My only
  real complaint is that links that target a new window don't work.
  This eliminates pop-up windows, but the browser should ask in
  case you do want to open the link.

  As I said in my previous article, the application that really
  matters is the original killer app, email. VersaMail 2.5 is a huge
  improvement over my current application, MultiMail SE. It supports
  IMAP with SSL, which I will soon be required to use, and uses
  color well. The faster connection speed makes the email program
  highly responsive; there's no sense of waiting a long time for
  things to download. Because of this, downloading a Microsoft Word
  or Excel file and viewing it with Documents To Go was worth doing
  unless the file was truly huge (some files did not open properly,
  though, including files created with Microsoft Office X, and I was
  not able to open PDF files with Acrobat Reader). Even though this
  unit was on loan for only a few days, I found myself reading and
  sending email with it constantly at work and at home. It doesn't
  replace Eudora on my PowerBook, but it did make it easy to leave
  the laptop behind when I wanted to.

<http://www.palm.com/software/versamail25/>


**Looking Forward** -- The Tungsten C is ideal for mobile users
  on a corporate or academic campus with a lot of wireless access
  points. Even if you aren't in a place like that, Wi-Fi hot spots
  are becoming more common every day, and Palm is happy to suggest
  that you buy access from a service like Wayport (unfortunately,
  T-Mobile's Web site says their hot spots don't currently support
  Palm devices because of the proprietary browser, but I was unable
  to test that).

<http://www.wayport.com/>
<http://www.t-mobile.com/>

  The Tungsten C has the same hands-free headset jack as the
  Tungsten W, which is a wireless phone. The sales brochure says
  this is for audio playback and voice recording, but it seems like
  there is more potential there. I've already started to hear rumors
  about a Voice Over IP (VOIP) solution. So, maybe I'll be able to
  use one of these as a phone when we roll out VOIP at work.

<http://www.palm.com/products/handhelds/tungsten-w/>

  The demo unit went back the day after I finished this review, but
  I've already ordered one of my own. That's the greatest praise I
  can give. I plan to set it up with a Mac running Mac OS X and Now
  Up-to-Date 4.

  [Geoff Bronner is webmaster for the Tuck School of Business at
  Dartmouth College, buys too many DVDs, and actually watches NFL
  Europe football.]


Hot Topics in TidBITS Talk/12-May-03
------------------------------------
  by TidBITS Staff <editors@tidbits.com>

  Last week's poll asking how you like these brief lists of the main
  threads in TidBITS Talk garnered only about 220 votes, but it was
  enough to give us some direction on how to proceed. Based on those
  votes, 92 percent of respondents liked this feature, with about
  half choosing the intermediate length descriptions, so that's what
  we'll do for now.

<http://db.tidbits.com/getbits.acgi?tbpoll=81>
<http://db.tidbits.com/getbits.acgi?tbart=07174>


**New iTunes 4 features** -- Discussions of the changes in iTunes,
  along with tips on using the new sharing features through a
  firewall and controlling the way iTunes names files and creates
  a Compilations folder for storing some new music. (13 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1931>


**iTunes Music Store pricing** -- So are tracks and albums in
  the iTunes Music Store cheap or expensive? It depends on your
  perspective, what you're comparing the prices to, and the rate
  of inflation (really!). (18 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1932>


**New iPod features** -- Thoughts about what you'll need to carry
  with a new iPod when traveling and how the new notes feature will
  work out. (4 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1933>


**AAC sound quality** -- Passionate back and forth about the
  quality of AAC-encoded music, which appears to depend quite a
  bit on how you listen to music and what sort of music you like.
  (9 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1934>


**Collaborative music filtering** -- Tip about a service that
  provides collaborative music filtering to recommend artists
  based on the music you're sharing in iTunes. (2 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1935>


**How have you used the iTunes Music Store** -- Interesting posts
  about how different people find themselves using the iTunes Music
  Store. (4 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1936>


**Sharing music with iTunes 4** -- After some speculation about
  why the RIAA isn't upset about people sharing music via iTunes,
  it turns out that the feature is limited to five simultaneous
  users. (6 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=1937>



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