TidBITS#457/30-Nov-98
=====================

  Looking for a powerful graphics program? Contributing Editor Matt
  Neuburg reviews the gargantuan CorelDRAW 8. Also this week, Adam
  introduces a new column called "Tools We Use" with a look at the
  freeware GURU, and we pass on additional information regarding
  working with MP3 audio files on the Mac. In the news, AOL buys
  Netscape for $4.2 billion, Alsoft releases the new disk repair
  program DiskWarrior, and we make a call for holiday gift
  suggestions.

Topics:
    MailBITS/30-Nov-98
    Tools We Use: GURU
    Talkin' About MP3
    CorelDRAW 8: A Hedy Experience

<http://www.tidbits.com/tb-issues/TidBITS-457.html>
<ftp://ftp.tidbits.com/pub/tidbits/issues/1998/TidBITS#457_30-Nov-98.etx>

Copyright 1998 TidBITS Electronic Publishing. All rights reserved.
   Information: <info@tidbits.com> Comments: <editors@tidbits.com>
   ---------------------------------------------------------------

This issue of TidBITS sponsored in part by:
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MailBITS/30-Nov-98
------------------

**MacAcademy Sponsoring TidBITS** -- We're pleased to welcome our
  latest sponsor, MacAcademy. As the software we rely on for word
  processing, graphic design, number crunching, and database work
  becomes more complex, training becomes increasingly important. To
  meet this need, MacAcademy provides four types of computer
  training, including videos, CD-ROMs, and seminars, plus
  personalized on-site training. Their programs are available in
  English, Japanese, Spanish, and German. Over the years, MacAcademy
  has trained more than one million people via video and CD-ROM
  programs and 500,000 via seminars. MacAcademy's expertise includes
  most major Macintosh programs, and if you're a Mac user forced to
  use Windows at work, they also offer training for Windows
  software. Check out their online catalog for a full list of
  programs, plus schedules of the live seminars. [ACE]

<http://www.macacademy.com/>


**Calling All Gift Suggestions!** TidBITS has a holiday tradition
  of assembling reasonable Mac-oriented gift suggestions from
  readers. Usually, we collate these ideas, track down some details,
  add thoughts of our own, and publish the results in an article or
  even a special issue. This year, we thought we would open up the
  process to the TidBITS Talk mailing list, so you can see what
  others consider good gift material.

  To participate, send a your gift idea to <tidbits-
  talk@tidbits.com>, whether it's something you want yourself or
  something you plan to give to someone else. Include a URL or other
  contact information for each suggestion, and limit yourself to one
  suggestion per message. Unique ideas are welcome, but please
  recommend only other people's products - self-promotion tends to
  detract from these efforts. You can keep up with the discussion
  via the URL below (the TidBITS Talk archive adds new messages once
  a day), or subscribe directly to the TidBITS Talk mailing list.
  Let the recommendations begin! [ACE]

<http://db.tidbits.com/getbits.acgi?tlkthrd=487>
<http://www.tidbits.com/about/tidbits-talk.html>


**AOL Buys Netscape for $4.2 Billion** -- America Online has
  announced it will buy Netscape Communications in a $4.21 billion
  stock deal. Under the agreement, AOL will operate Netscape as a
  separate division, while leveraging Netscape's Web browser
  software and widely used NetCenter Web site. With the acquisition,
  AOL will control two of the Web's four most trafficked "portal"
  sites, which has some analysts saying AOL may attract as much as a
  third of online advertising revenue. In addition, AOL and Sun
  Microsystems have agreed to a three year partnership whereby Sun
  will distribute Netscape's server software and pay AOL $350
  million dollars in licensing and marketing fees. In exchange, AOL
  will adopt Sun's Java technology for use in "AOL devices" and
  purchase $500 million of Sun's high-end computers. Microsoft is
  already claiming the AOL-Netscape merger undermines the ongoing
  antitrust case against Microsoft, although others argue the merger
  serves as evidence of the difficulty of competing against
  Microsoft. For the time being, AOL says it plans to continue
  distributing Microsoft's Internet Explorer so AOL's client
  software remains bundled with Windows. [GD]

<http://www.news.com/News/Item/0,4,29146,00.html>


**Alsoft's DiskWarrior Combats Directory Damage** -- The folks at
  Alsoft, makers of DiskExpress Pro and PlusOptimizer, have released
  DiskWarrior, a new disk repair utility with a unique approach to
  recovering data. DiskWarrior focuses exclusively on directory
  data, pulling out as much information as possible and then
  creating a new, optimized directory, which the user can preview
  before saving changes. DiskWarrior won't be able to repair
  corrupted or damaged files (and doesn't seem to offer other
  traditional file-based features, like an "undelete" option), nor
  would it be able to help if a disk's directory is very badly
  damaged. Nonetheless, it might be useful for recovering missing
  folders or files or nipping subtle directory problems before they
  blossom into catastrophes. DiskWarrior costs $70, and supports HFS
  and HFS Plus volumes on IDE, SCSI, and USB devices. DiskWarrior
  requires a 68020 processor or better (including PowerPC), at least
  16 MB of RAM, and System 7.1 or higher. [GD]

<http://www.alsoft.com/DWinfo.html>


Tools We Use: GURU
------------------
  by Adam C. Engst <ace@tidbits.com>

  In the fuss over major productivity applications and well-known
  utilities, it's easy to lose sight of clever programs that make
  using our Macs easier or better. These tools form a big percentage
  of the 80 MB (90 files) of submissions the Info-Mac Archive
  receives each week. They're all freeware or shareware, and most
  are written by individual programmers seeking to solve nagging
  problems. We're talking about classic one-trick ponies here, and
  although these programs may lack universal appeal, if you need
  their single trick, you'll be a happy user.

  The main thing separating the programs we plan to write about in
  this sporadic column from all the others is that these are the
  tools members of the TidBITS staff actually use. If we don't use
  it, we won't be writing about it in this column - simple as that.


**GURU** -- We used to pride ourselves on knowing the basic specs
  of all Macs. The Performas eliminated that ability for most
  everyone, and only recently has the Macintosh line become more
  coherent. Many resources have appeared over the years to provide
  information about Macintosh models, and Apple publishes much of
  this information on their Web site.

<http://www.info.apple.com/applespec/applespec.taf>

  However, the tool I turn to whenever I have a question about a
  specific Mac is the freeware GURU (GUide to RAM Upgrades), written
  by Craig Marciniak and Steve Jackman for NewerRAM (previously part
  of Newer Technologies and now owned by Peripheral Enhancements).
  GURU is a small database with a custom front end and a few cool
  features; what sets it apart is its focused content. GURU's great
  for determining what sort of RAM to buy for a given Mac, what type
  of clock battery a Mac takes, and what video resolutions are
  possible.

  GURU's primary interface is a floating palette with pop-up menus
  for each class of Macintosh and Macintosh clones. If you're not a
  floating palette fan, you can also use the hierarchical menus in
  the Windows menu. Choose a model from one of the menus and GURU
  displays a two- or three-tabbed window filled with information
  about that system.

  The General Information tab provides basic specifications,
  including processor type, number of expansion slots, and so on. As
  Macs age and clock batteries die, the information on which clock
  battery to buy may prove useful. A dead clock battery can result
  in a variety of problems ranging from inaccurate timekeeping to a
  failure to start up; you might be able to save money by buying a
  battery and installing it yourself rather than taking the Mac in
  for service.

  The Memory tab concentrates on RAM details, telling you what sort
  of SIMMs, DIMMs, or other RAM modules a Mac needs, plus the number
  of sockets in the machine. GURU also includes useful items like
  the minimum speed, the maximum RAM configuration, and which memory
  modules sizes will work. You can select configurations from a
  pop-up menu to learn what combinations of RAM modules are
  necessary to achieve that configuration. With some Macs, you can
  also access a graphical map of the RAM sockets and populate them
  by choosing module sizes from pop-up menus; when possible, GURU
  also shows you how to install the modules to support memory
  interleaving (which can increase performance slightly).

  Finally, the Video tab tells you how much VRAM is installed by
  default in any given Mac, and lets you figure out how much more
  you can add and what bit depth that will provide at different
  resolutions.

  One of the reasons I like GURU is that it's been around for years
  and has been revised constantly to account for new Macs. Every so
  often I realize I have an old version and pop out to the Internet
  to pick up a current copy. There's a Web Site button in the About
  dialog that takes you to the NewerRAM Web site, but I'd also like
  to see support for the Simple Internet Version Control (SIVC)
  protocol that Anarchie Pro and other programs use to inform users
  of updates.

  GURU 2.7.1, which is the current version, is a 475K download. If
  you're curious about different Macintosh models, grab a copy of
  GURU today.

<http://www.newerram.com/guru.html>


Talkin' About MP3
-----------------
  by Jeff Carlson <jeffc@tidbits.com>

  Kevin Savetz's recent article about the MP3 audio format (see
  "Move Over MTV, Now There's MP3" in TidBITS-455_) sparked a great
  deal of interest from audiophiles on TidBITS Talk. Although some
  discussions focused on downloading music from the Web, the threads
  quickly centered on converting audio CDs to the MP3 format, and
  the overall quality of MP3 audio.

<http://db.tidbits.com/getbits.acgi?tbart=05174>
<http://db.tidbits.com/getbits.acgi?tlktxt=MP3>


**Better Breakfast Tools** -- Although readers mentioned several
  utilities for burning CDs containing MP3 files, Alastair Sweeny
  <infonauts@sumpatico.ca> suggested Adaptec's programs Toast and
  Jam and their related mailing list.

  "The best way to become a CD audio expert is to subscribe to
  Adaptec's mailing list. Send a message to
  <LISTSERV@LISTSERV.ADAPTEC.COM> with the command "SUBSCRIBE
  ADAPTEC_CDR your full name" in the body of the message. The list
  is a good clearing house for tips and hassles. If you have a CD-R
  drive, you can avoid burning coasters by checking out this list."

<http://www.adaptec.com/products/overview/toast.html>
<http://www.adaptec.com/products/overview/jam.html>

  For those looking for tools to edit the music before you burn to
  CD, Travis Butler <tbutler@tfs.net> recommended Peak LE:

  "There's also Peak LE, from BIAS - only $99 when I picked up my
  copy a few months ago. Has some rough edges, and the interface is
  sluggish at times on my 7500/120, but does the job quite well for
  the price. You can also get a plug-in for Peak LE that does fairly
  automatic filtering of some common audio problems - hiss, pop, and
  the like. A demo of the plug-in ships with the program, and
  there's a demo of the whole program at Bias's site."

<http://www.bias-inc.com/>


**Why MP3?** A few readers questioned the utility of the MP3
  format when existing CDs work just fine. Dan Frakes
  <dan@informinit.com> answered:

  "As one example, I use a PowerBook 2400 for computing on the go. I
  prefer to travel as light as possible, so I don't want to carry a
  portable CD player, MiniDisc player, etc. I convert a CD, multiple
  CDs, or just a bunch of tracks to MP3 format and save them to the
  2400's hard drive. With an application like MacAmp, I can then
  plug in a set of headphones and listen to as much music as I have
  saved. The MP3's play in the background, and don't cut down on
  battery life too much."

<http://www.macamp.com/>

  Chris Gibson <chris.gibson@gibsons.org> envisioned the potential
  of computer-based music systems:

  "You don't see it much (yet!) on the Mac, but on Windows many CD
  extracting/ripping utilities can link to CDDB databases on the
  Internet that use the ID# of the CD to download artist, title, and
  track information. You can also add genre or other details to
  manage the CDs. The promise for the future is what gets me. I have
  a volume on one of our computers with tons of MP3's (all ripped
  from my and my wife's CD collections). I share that volume on our
  home network, and any computer in our house can play music - all
  at the same time! It's not hard to envision an appliance that
  could access that same central collection over virtually any of
  the home network protocols that exist or are coming. So, perhaps,
  you could have a tiny device in your kitchen that accesses music
  data over a power line carrier-based home network. And, with just
  a bit of intelligence, it could store playlists, etc. I could go
  on, but the point is that MP3 isn't a substitute for CDs, but a
  whole new way to access music that provides new vistas of
  flexibility and scalability."

  Finally, following up on capabilities to customize the track
  information, Martin Gleeson <gleeson@unimelb.edu.au> wrote:

  "I find that the combo of InCDius, Track Thief and Mpecker is the
  best. InCDius uses CDDB to get the title and track info, Track
  Thief creates the filenames as the names of the tracks, and
  Mpecker just adds an .mp3 suffix to the end of them, saving a lot
  of typing. A future version of Mpecker will support direct-from-CD
  encoding. Oh, and all three of them are freeware."

<http://www.xnet.com/~grhowes/html/Software/InCDius.html>
<http://www.student.nada.kth.se/~d88-bli/misc/TrackThief1.11.sit.hqx>
<http://www.anime.net/~go/mpeckers.html>


CorelDRAW 8: A Hedy Experience
------------------------------
  by Matt Neuburg <matt@tidbits.com>

  Only someone vacationing on Jupiter would be unaware of the
  fanfare attending the August release of CorelDRAW 8. For months
  before, the coldly rendered features of actress Hedy Lamarr
  assaulted us from full-page magazine ads and monstrous Macworld
  Expo posters; and there followed what must be the longest-running
  promotional sale in history. The suggested retail price, variously
  quoted between $400 and $695, is meaningless; Hedy, ubiquitous at
  retail outlets and throughout the pages of mail-order catalogs,
  can be had for $150, $100, $50, or even free. Lowest prices go to
  purchasers of an iMac or other CPU, but you get the "competitive
  upgrade" price just by claiming to own any drawing software more
  sophisticated than a crayon, and some outlets have given up the
  "upgrade" pretense altogether.

<http://www.corel.com/draw8mac/>

  The hype notwithstanding, I'm delighted to obtain a full-featured,
  professional-level graphics program inexpensively. After all, even
  someone whose brain's linguistic side is dominant occasionally
  needs to make up a poster, a business card, a logo, a house plan,
  or a Web photo. Faithful SuperPaint has a place in my heart, but
  it's old, and its range is limited. Some time ago, I tried
  Deneba's Canvas 5, but the chief result was that I've been hoping,
  ever since, for something to displace it from my computer.
  CorelDRAW seems to be just the ticket. (I make no comparison,
  though, with Illustrator or Freehand, since I don't own them.)

<http://db.tidbits.com/getbits.acgi?tbart=03174>
<http://db.tidbits.com/getbits.acgi?tbart=00734>


**Large and Demanding** -- The CorelDRAW package comes on two CDs.
  Besides the vector-based CorelDRAW itself, you get to manipulate
  bitmaps with Corel PHOTO-PAINT 8, and convert them to vectors with
  CorelTRACE 8. There are also several Photoshop plug-ins (which
  PHOTO-PAINT accepts), lots of sample files, oodles of clip art,
  Web art, photos, and fonts, plus OEM versions of the simple image-
  file organizer Canto Cumulus and the font management utility
  FontReserve. (Many users found you also get a free copy of the
  AutoStart worm, necessitating a recall of an early production run.
  Corel lists serial numbers of affected batches on their Web site.)
  One thing you don't get, alas, is respite from Hedy's face, which
  is still in yours - on three manual covers, two CDs, one CD
  jacket, and the splash screen each time you start up.

<http://db.tidbits.com/getbits.acgi?tbart=04180>
<http://db.tidbits.com/getbits.acgi?tbart=04864>
<http://www.corel.com/draw8mac/virusinfo.htm>

  You also need to bring a lot to the party. You'll need a lot of
  RAM - I mean a _lot_ of RAM: CorelDRAW likes at least 35 MB of its
  own, and adds as much as 30 MB to the system heap. You'll need a
  PowerPC-based Mac with a lot of speed: CorelDRAW runs acceptably
  on my 604e/180, but Corel wisely recommends a G3. There are lots
  of floating windoids, so you'll need plenty of screen real estate.
  And you'll need a lot of disk space: a typical installation is 130
  MB. The installation is painless, almost all files going into one
  folder, with a log telling you what went where; but the program
  still depends upon dozens of undocumented libraries and preference
  files.

  Still, if CorelDRAW is immense, it has good reason. For one thing,
  it's fully stocked with professional capabilities. It includes
  several standard spot and composite color collections (Pantone,
  Focoltone, etc.). It's ColorSync-compliant. It prints at three
  levels of optimizable Postscript (as well as looking darned good
  on my StyleWriter). It can output negatives, bleeds, separations,
  halftones, and traps. It lays out text with styles, precise
  kerning, columns, and linked frames. It can open and save many
  formats such as PICT, Illustrator, Photoshop, AutoCAD, GIF, JPEG,
  TIFF, and plenty of others I've never heard of. It even generates
  HTML, using your choice of tables, layers, or styles to position
  objects.

  CorelDRAW is also heavily customizable, along the lines of
  Microsoft Word: you can modify menus, palettes, toolbars, keyboard
  shortcuts, and individual workspaces. Plus it's thoroughly
  scriptable, which is a convenience and a delight.

  Finally, CorelDRAW is full-featured. Besides the expected
  geometric shapes, bezier curves, and text, CorelDRAW lets you work
  with calligraphic curves; dimension lines; gradient, pattern,
  bitmap, and texture fills; text inside shapes, wrapping round
  shapes, or following a path; and special effects such as object
  blending, distortion, extrusion, envelopes, transparency, drop
  shadows, and lenses. (Some bitmap filters and effects are also
  included, but to edit a bitmap seriously you'll need to switch to
  PHOTO-PAINT.)


**Easy and Strong** -- You can't judge a program by its feature
  list; a checkmark in a comparison chart doesn't mean that a
  feature is useful, reliable, well-designed, or well-integrated.
  But I find that CorelDRAW's features are mostly just that. For all
  its bulk, CorelDRAW feels remarkably lean and straightforward.

  Corel's success in this area seems to be due largely to some
  serious thought about interface. Essential tools are nicely placed
  within the user's immediate sight and reach, reducing the need to
  hunt through menus or bring up palettes or dialogs. Of course, you
  can bring up palettes and dialogs; indeed, CorelDRAW often
  provides multiple ways to accomplish a given task. But there is
  never any feeling of redundancy - each method has its place.
  Typically, you work in five neatly defined areas:

* The toolbox, where you choose a tool
* The color palette, where you choose a color
* The menus
* The property bar
* The document itself

  Of these, the toolbox is the worst. It's a palette of mysterious
  icons, many of which are hidden until you click some other icon. I
  know that this has become common in graphics applications; but I
  still hate it. Fortunately, since CorelDRAW is customizable, you
  can construct a more convenient alternative toolbox, where nothing
  is hidden; and pop-up tooltips tell you what each icon means.

  The property bar is like having many palettes in one; it's a
  windoid whose contents constantly change appropriately to give you
  options, settings, and information for the current object or tool.
  Once you've selected an object and are wondering what you can do
  to it, you just look in the property bar to find out.

  The best part of the interface is the variety of operations you
  can perform on an object directly and interactively, using the
  mouse, right in the document. Contextual menus give you access to
  relevant commands without moving to the menubar. Handles and
  cursors provide a physical milieu that's clear, consistent, and
  intuitive. Click once, and handles let you move an object, or
  stretch it, or reverse it; for text, you can also alter leading
  and kerning. Click again, and more handles let you rotate and
  skew, and set the center of rotation. Double-click, and you're
  editing the path's Bezier points. Colors can be dragged onto an
  object to assign them, or to mix them into the existing color. If
  an object has a gradient fill, you can tweak its end colors,
  intermediate colors, direction, position, and midpoint; the
  interface here is absolutely ingenious. The same goes for special
  effects such as blends, distortions, envelopes, extrusions, and
  transparency.

  Another of CorelDRAW's strongest suits is its approach to color
  and object management. A wide choice of color models and palettes
  makes it easy to navigate the color space. A clever find-and-
  replace feature lets you say such things as "find all red
  rectangles" or "change all hot pink fills to coral green." You can
  peruse objects through dialogs that list and describe them
  verbally. Most notably, the program actively helps you maintain
  uniformity and similarity among objects. You can copy and paste
  outline, text, and color properties separately; you can
  incorporate attributes into named styles for convenient,
  consistent application to objects - including, remarkably, color
  styles that describe color relationships (change the "parent"
  color and all objects with "child" colors change appropriately).
  You can even "clone" an object, creating a duplicate which adopts
  given properties of the original, automatically or on demand.

  Finally, let's not forget multiple undos. There's nothing like
  knowing that you can experiment without penalty to get those
  creative juices flowing.


**Moody and Recalcitrant** -- The bad news is that although
  CorelDRAW 8 doesn't look or feel like a port, it doesn't seem
  entirely comfortable with the Macintosh environment. The size and
  position of document windows are not remembered between launches.
  Resizing a document window also zooms its contents. Fonts that
  lack a separate bold or italic family member (such as Geneva)
  cannot be made bold or italic. The program doesn't grasp that I
  have two monitors with different bit-depths.

  In fact, CorelDRAW feels like a beta. Constant small glitches
  undermine one's confidence and interfere with one's intentions. In
  dialog boxes, sometimes nonsense appears, or information is
  outside the legible area, or scrollbars don't scroll properly.
  Mysterious error messages occur from time to time. It's easy to
  get into a situation where the document window refuses to let
  itself be activated, and all work comes to a halt. The status bar
  allowed itself to be dragged clean off the screen, and to recover
  it I was forced to throw away lots of preference files. One feels
  compelled to save early and often, but even this may not be
  enough; I've seen text mysteriously lose its envelope settings
  overnight, and there are reports of textures becoming corrupted.

  The manual is typical of reference manuals for large programs:
  turgid, compendious, dull, repetitious, formulaic, sometimes
  opaque. That's perhaps inevitable, but a printed hands-on
  tutorial, a quickstart guide, and a shortcut reminder card would
  have been welcome compensation. The program has some learning
  curve, after all; there are important hints that the user needs to
  begin working, such as Option-clicking a color to change an
  outline rather than a fill. A number of features described in the
  manual are completely missing: most notable is the lack of any
  textual find-and-replace, a silly omission in a program that
  includes a spell-checker.

  Online help is a curious hybrid. Part of it is Altura QuickHelp
  (like FileMaker Pro), and is quite good; but other parts,
  including the tutorial, are Apple Guide, which is a pain to use,
  and crashes my machine.

  Also distressing is the lack of support from Corel. Neither by
  email nor on Corel's own newsgroup was I able to obtain responses
  to questions in preparation for this review. This makes CorelDRAW
  seem like not just a beta, but an orphan; I hope Corel has created
  this version without allocating resources for listening to users
  and fixing bugs.


**On Balance** -- For many years I rode a 1986 BMW K100RT
  motorcycle. Folks often asked me how I liked it, and I'd say:
  "It's wonderful. After I replaced the springs, the seat, the
  alternator, the water pump, the brake fluid reservoir, the
  throttle cable, and the windscreen, it turned out to be one of the
  greatest bikes ever made."

  CorelDRAW 8 is rather like that. It has true premium quality, but
  for that reason one marvels at the presence of so many little
  defective details. Still, like dust bunnies, these lurk mostly
  under the bed and in dark corners; they may make you sneeze now
  and again, but on the whole the room is pretty clean and perfectly
  usable.

  CorelDRAW's most noticeable shortcoming is its text-handling
  capability. There's nothing actually wrong with it, but here the
  program has an air of pretending to be something it's not. After
  all, without find-and-replace, automatic page numbering, multiple
  master pages, and so forth, you won't be laying out any catalogs.
  So the columns, frame linking, and automatic hyphenation features
  seem more cute than useful.

  If Corel were actually charging the suggested retail price for
  CorelDRAW, I might be inclined to criticize more heavily. At
  present prices, though, the verdict is positive: it's a generous
  package of splendid features with a brilliant interface and
  professional output. If, like me, you want to own just one high-
  powered graphics program, CorelDRAW could be a great choice. In a
  word, it's powerful and fun. Even if it is a beta. And even with
  that darned face everywhere.

  As Harvey Korman says in the movie Blazing Saddles: "That's
  _Hedley_."



$$

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