Outside Satyricon

File	outside-satyricon.hqx
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Category	Game

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About

Welcome to my fun project (and to my parlor). The project has been to play around with forms and ideas native to the interactive medium, with an eye toward artistic use. "Artistic" is, of course, a fuzzy word, and we should always get in trouble for using it; I trust you to interpret the general drift of what I mean. Never mind, no I don't: The general drift of what I mean is "individual and interesting". Outside Satyricon aims to explore forms that use elements unique to the computer--not visual art that is merely generated with a computer, and not interactive games which, while unique to the medium, lack intellectual & spiritual color. I want to expermiment with interactive "fiction," of a sort. This is my first such experiment. ...A technique with potential is to use an Eliza-like interface to create narrative voice and personality. Literature has a narrative voice; interactive media could too, with its own particular twist. Experimentation with narrative is particularly natural in forms which are story-like, such as the adventure. I've written an Eliza script into Outside Satyricon, but as of yet it isn't nearly as developed as it could be. (Eliza is a simple artificial-intelligence simultaor created by Joseph Weizenbaum.) ...The computer medium naturally lends itself to simulation, and the representation of things. This naturally suggests symbolism as a technique, since symbols are objects (compare to, say, music, which represents no objects and uses no symbols). The possibility of symbolic meaning, or resonance, for an object can define its use, and create meaning within the program as a whole. For example, if progress within an adventure game depends on the user finding the key to some locked door, that is very boring and meaningless. But imagine that "doors" open when the user breaks open a plastic red heart that he has found--say, the 20 clocks in the room all begin to melt, the floor turns to sea, and he finds himself continuing his adventure in an ocean-dream world (perhaps as a shark, perhaps as a blowfish, depending on choices he has made earlier in the program). Now the user is solving puzzles which, because of the symbolic resonance of the things in the adventure (e.g., red hearts), may suggest certain interpretations and meanings to him. This is a much more interesting way for a world to unfold than the way of unlocking a door with a key, which you got by killing the thief, outwitting the Sphinx, etcetera....Naturally, symbolism can be overt as well. In Outside Satyricon, most of the rooms are the ordinary kind--representations of physcial places such as bathrooms, roof tops, etc--but you will also find yourself in "Therapy", "Solitude" and a few other abstract places....Its object-based character makes the interactive medium especially at home with "deconstructive" or "meta-fiction" techniques, since its modelling of symbolic objects is programmable and changeable during the course of the adventure's "narrative." Thus, the player can be forced to examine his own uses of symbols as sources of meaning. Crunchy Pickle Software: http://www.efn.org/~bsharvy/crunchy.html